Methods of extracting the language of painting in the process of teaching artistic creation

Qin Siying, Shao Jialing

This article discusses how to extract the unique language of painting in the process of teaching artistic creation. In particular, the authors focus on the motivation and mentality of Russian oil painting, the innovation of concepts and forms of artistic creation, and the transcendence of technical means in Russian oil painting. The paper details the disadvantages of mechanically following creative forms. The aim of the work is to motivate students to create their own language of oil painting.

Keywords:creative practice; language of painting; pure mentality; innovation of conceptual form; technical transcendence.