Atanov A. A. (D.Sc. in Philosophy, Professor, Director of the Institute of Culure, Social Communications and Information Technology, Head of the Department of Philosophy and Art Studies, Baikal State University (Irkutsk))
Zvereva O. Y. (Senior Lecturer, Vice director of the Institute of Culure, Social Communications and Information Technology, Baikal State University (Irkutsk))
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Within the framework of historical methodology, it becomes possible to analyze a musical work based on its structures: the artist and the work; the performer and the listener. The allocation of the basic foundations for the purposes of music analysis depends on the musical practice, which is historical in nature and creates different semantic certainty. The article is devoted to the organization of music and musical composition in relation to specific structures and elementary foundations that are in the system of historical disclosure. The purpose of the research is to build an analytical base of philosophical and art criticism foundation in the system of interaction of the categories "fundamentals" and "justified" for conducting research in the field of music, taking into account the historical context.
Keywords:musical composition; author; genius; composer; performer; listener; authentic performance; interpretation
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Citation link:
Atanov A. A., Zvereva O. Y. MUSICAL COMPOSITION IN THE STRUCTURAL ASPECT OF HISTORICAL ANALYSIS // Современная наука: актуальные проблемы теории и практики. Серия: Познание. -2023. -№04. -С. 6-10 DOI 10.37882/2500-3682.2023.04.03 |
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