«OWN», «OTHER’S», «COMMON» IN THE CULTURAL CONTEXT OF THE FILM «WISHBONE»

Sattarova A., Dusaeva E.

The article examines the recent Tatarstan film “Wishbone” from the standpoint of receptive aesthetics and the categories of “dialogue of cultures”. The authors analyze the cinema’s language, context, the place where the events in the film take place, its characters from the point of view of the categories “own”, “alterity”, “common”. This is what allows to research local, national, Soviet/post-Soviet identity, to feel the “gaps” and places of intersection.

Keywords:Tatar culture, receptive aesthetics, Tatarstan cinema, regional cinema, local identity, national identity