RESEARCH OF THE TRANSFORMATION OF THE LANGUAGE OF NATIONAL TRADITIONAL ART OROCEN IN THE FORMS OF MODERN ART

Liu Zhi, Zhang Yao

The artistic elements of traditional Chinese peoples contain the wisdom of humanity. Under the influence of the natural environment, geographical conditions and other objective factors, historical culture and the trajectory of its development are a true reflection of the historical achievements of national cultural creativity. Within the framework of this study, the characteristics of Oroken are examined. Thanks to the special living conditions in the region, historical background and connection with nature, the Orokens demonstrate a different cultural worldview and spiritual qualities from other ethnic groups in the aspects of production, life, morality, customs and even the national spirit. It is on the basis of these unique social and humanistic connotations that a forest culture with characteristic national characteristics and the traditional artistic language of the Oroqen people, which is an example of this culture, were created. To achieve the research objectives, research methods such as description, synthesis, and classification were used. The traditional national architecture of the Oroqen people is the "leaning human column", a cone-shaped structure supported by 20 or 30 wooden poles covered with animal skins and birch bark. This article examined the transformation of Oroqen traditional aesthetic elements and traditional artistic language in modern society. This is a very important area for research, as it helps to find the path for the development of the Oroqen national culture.

Keywords:Oroqen, artistic language, contemporary art, transformation, cultural heritage, painting, Chinese painting, leather robe