A STUDY OF THE COMMONALITY OF OROKEN DECORATIVE AND APPLIED ART BETWEEN CHINA AND RUSSIA

Yuan Xupeng

The relevance of the topic of this article is determined by the fact that the wisdom of mankind is concentrated in the artistic elements of traditional nationalities, both in China and in Russia. Given the actively developing interaction of these countries with each other, it is very valuable to highlight the commonality of Oroken decorative and applied art. The main goal is to explore the commonality of Oroken decorative and applied art between China and Russia. Problems under consideration: as a result of the comparative characteristics of Oroken decorative and applied art in Russia and China, similarities and differences are highlighted. Methods: research methods such as description, synthesis, classification are used. Conclusions: the progressive development of Oroken decorative and applied art is a high contribution to the education of a new generation, which is considered as one of the most effective means, since it is through art that it is possible to form a versatile personality capable of preserving and transmitting the culture and traditions of his people from generation to generation; personality acts as a subject of perception of art; Similarities: both in Russia and in China, there is a variety of applied art techniques that differ in their place of origin and have unique features; in both countries, the masters put their soul and sacred meaning, which carried a certain energy and contributed to the development of certain aspects of human life; precious knowledge was passed down from generation to generation.

Keywords:China, Russia, decorative and applied art, similarity, characteristics, embroidery, wood carving