Paradigms of the professional worldview of concert performers in Russian musical art: a retrospective analysis

Roters Tatyana Tikhonovna, Stachinsky Vladimir Ivanovich

This article is devoted to the evolution of the content of the professional worldview of musicians - concert performers in the domestic musical art from ancient times to the present day. Exploring the methodological models of the formation of the mastery of concert performers, the authors prove that the change in the worldview paradigm is directly related to changes in the understanding of the essence of the performing interpretation and its (musician's) sociocultural function. Describing the content of the modern professional worldview paradigm of a concert performer, the authors single out in it as the central idea of the variability of interpretation, which determines the status of a musician as a free artist.

Keywords:paradigm of professional worldview, art of concert performance, performing interpretation, history of music pedagogy, methodological model, professional competencies