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The lay of music mad architects: about the romantic architect`s attitudes to the spirit and the nature

Astaschenko Elena V.  ( Candidate of Philology, doctoral candidate in philology, Maxim Gorky Institute of Literature and Creative Writing )

The motif of madness romantic tradition of the architect explains his demiurgic claims. More difficult question of the nature of the planned architecture. It is well known that romance can cultivate ownership nature, Schelling be "absolute, contemplating himself." In this case, the artist is only the eye of nature, a piece of her, so do not draw romance nature everyday, tamed (landscape as a room in the house - the prerogative of modernity), and on the other hand, inscribe itself in cosmic context. The attitude of the hero "Russian Nights" Vl. Odoevsky - Piranesi, rehabilitated at the Last Judgment for altruism - to reflect the nature and Masonic, anti-education in its ideological and artistic essence, the theory of prose. More than a century later, the idea of universal construction, coupled with the unique historical attempt to implement it, refracted images of Engineers A. Platonov and Zamyatin.

Keywords:irrealism, Art Nouveau, decadence, allusions, synesthesia, artistic synthesis, Imago Templi, musica sacra, pre-Romanticism, masonizm, Aryan world-view, abstract and concrete
 

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Citation link:
Astaschenko E. V. The lay of music mad architects: about the romantic architect`s attitudes to the spirit and the nature // Современная наука: актуальные проблемы теории и практики. Серия: ГУМАНИТАРНЫЕ НАУКИ. -2016. -№04. -С. 146-151
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