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This paper provides a detailed analysis of the mythological motifs and images that pervade the work of Robert Louis Stevenson, one of the most prominent figures of 19th century literature. The author of the article aims to demonstrate how mythology contributes to the formation of the deep meaning in Stevenson's works, and how these motifs interact with the themes of morality, individuality, and society, relevant to the author. The article begins with a brief introduction to Stevenson's life and work, then moves on to review his key works, such as «Treasure Island» and «The Strange Case of Dr. Jekyll and Mr. Hyde» analyzing how each of them unfolds and reinterprets mythological themes. Special attention is paid to the myth as a means of exploring human nature, a way of contemplating the eternal questions of good and evil, free will, and determinism. Furthermore, the author focuses on how Stevenson uses mythological images to reflect on the social, cultural, and historical spheres of his time. It discusses how, through the application of universal mythological plots, Stevenson addresses the issues relevant to his era, including colonial exploration, gender norms, and class contradictions. It is emphasized that the myths used by the author not only enrich the narrative and create multi-layered images but also help readers to gain a deeper understanding of the main philosophical, moral-ethical, and social questions raised in his works.
Keywords:R.L. Stevenson, mythology, 19th century literature, «Treasure Island», «Dr. Jekyll and Mr. Hyde», symbolism, morality, culture, philosophy.
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