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Anthropocentrism of strong positions of text (beginning and ending)

Kudashova Nina Nikolaevna  (PhD philology candidate of Science, Associate professor, Lomonosov Moscow State University )

The article considers the author's first and last mention of the character in such strong positions of the text as its beginning and end. In particular, it is noted that the initial presentation of the character to the reader is extremely important, since it can largely determine the reader's opinion about it. Since the author introduces the character through a portrait or in some other way, the appeal to the portrait reveals some special features of the author in relation to the person in general. The article deals with portraits presented in the works "Dog Years" and "Tin Drum" by G. Grass, "Matilda" by L. Frank, "Farewell" by I.R. Becher, "Hunting for marmots" by W. Becher and "The Schellenberg Brothers" by B. Kellerman. On the basis of the analysis carried out by the author, it is noted that all authors as verbal individualities (or linguistic persons) in their totality testify to the characteristic features of the textual origin of the German-language artistic text.

Keywords:anthropocentrism; literary portrait; background portraits; piece of art; text analysis.
 

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Citation link:
Kudashova N. N. Anthropocentrism of strong positions of text (beginning and ending) // Современная наука: актуальные проблемы теории и практики. Серия: ГУМАНИТАРНЫЕ НАУКИ. -2018. -№02. -С. 127-131
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