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The article is devoted to the study and research of the ideological and thematic features of the works of the fable genre of the famous national writer of Kyrgyzstan, playwright Kazata Akmatova. Although K. Akmatov is known as the author of a number of novels and novels, plays and screenplays, by the end of the twentieth century he is turning to fable. One of the features of his work is that he wrote in Kyrgyz and Russian. The appeal of K. Akmatov to the fable genre is not an accidental phenomenon. As a former party worker, he knew all the shortcomings of a rotting socialist society, so he was one of the first to join the struggle for a new life, heading the Democratic Movement of Kyrgyzstan in the early 90s of the twentieth century. His fable-parable "New fables or parables of the new century", consisting of three books, brought him new fame, the readers saw in him a fabulist. Through his fables-parables the author expresses his opposition view on the negative phenomena of a new era. By narrating the story, the author adds his subjective opinions, personal Democrat-Akmatov views on this or that event. Another feature of the fables of K. Akmatov, which immediately catches your eye, is that if in the majority of classical fables the allegoricality of animals or things revolves around them, then the Akmatov allegory, moving away from the initial prototypes, appears as the person himself, say, as Ivan Ivanovich or Asan Asanovich. One can confidently say that Kazat Akmatov, a well-known prose writer, playwright and screenwriter, became one of the Kyrgyz fabulists because of these three books, as an author who has his own handwriting in this ancient genre of literature. Thus, he made a great contribution to the development of Kyrgyz fable creativity.
Keywords:allegory, fable, fable genre, democracy, new era, perestroika, prose, prototype.
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